The original episode is brilliant - one of the greatest in a TV series whose influence continues to be felt - but the update goes darker and reaps the scenario's full potential as a result. Sooner or later, everyone has been Valentine on a plane trip, and that human connection amid the chaos ties it all together in a bow. At the end of the day, however, Lithgow probably deserves the most credit. He - and Miller - take full advantage of Twilight Zone: The Movie's creative freedoms to enhance and intensify everything that was already great about the first episode. Matheson wrote the screenplay for both versions, keeping the original author's DNA intact. Wilson's nightmare merely intrudes on the normal world. Donner utilizes more traditional filmmaking techniques with his version, saving the surreal touches for the gremlin itself to enhance its creepiness. Jerry Goldsmith's score - all spiky brass and strings - builds mercilessly toward the climax, in which Valentine's panicked solution proves far less effective than Wilson's late-inning heroics. He even slips in a ringer or two, such as a few brief frames of Valentine's eyes popping cartoonishly out of his head amid all the mayhem. You can also get email notifications of future posts by entering your address under “Follow S&S Via Email” on the upper left-hand side of this post.To that, Miller brings the same bag of visual tricks he uses in the Mad Max movies: distorted angles, sweaty close-ups, rabbit-punch editing, and a hand-held camera that lurches through the aisles with the passengers. Here are the results:įor a daily dose of Serling, you can follow me on Twitter, Facebook or Pinterest. UPDATE: Thanks to all who voted! I’m happy to report that Henry Corwin won handily, but “Twenty-Two” and “Long Distance Call” made a very respectable showing. (In which a little boy talks to his departed grandmother via a special toy telephone) 2020, Paramount+, 10 episodes, View details Season 1 70 Critics Consensus: The Twilight Zone explores the strangeness of the modern world through Rod Serlings winning formula, creating a. (In which a crotchety old man is transported back to a happier time via an unusual radio) (In which a hospitalized showgirl is tormented by a recurring premonition of death) (In which a slick-talking used-car salesman is cursed to tell nothing but the truth) (In which a down-and-out department-store Santa gets the nicest gift of all) (In which an inventor’s daughter urges her father to get rid of his robot staff) So if you’re not among that tiny group who swears they can’t even watch them, how about casting a vote? (For more on why they were filmed that way, try this short post.) I’m here to ask a basic question: No matter where you stand on the videotaped episodes, which one do you consider the best?Įven if you cringe at the overall look of them, I’m betting most fans still can pick a favorite. Even if you enjoy the stories (and I do, for the most part), it’s a clear step down from the vivid film images we get in the other 150 episodes.īut I’m not here today to dwell on that. Which is why the six videotaped episodes that popped up in Season 2 stick out like a Kanamit’s sore thumb. Each episode was a visual feast, filled with clear, shadow-laden shots that outshines much of what we see on TV even today. Rod Serling promised viewers “television’s elites,” and we got that - both in front of and behind the camera. One of the many hallmarks of The Twilight Zone is how good it looks.
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